Andrew Stones - Commentary on solo works  (Hegarty & Stones below)

 

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2006
David Curtis A History of Artists' Film and Video in Britain, 1897-2004 (London: BFI Publishing, 2006).
ISBN 978 1 84457 096 6 (pb).
 
Class, The Nature of Their Joy, Atlas and other works discussed in the context of politically-engaged moving image work of the 1990s and 2000s.
2004
Dwellan Exhibition catalogue
(Copenhagen: Charlottenborg Exhibition Hall, 2004).
Section
Andrew Stones - Atlas; 4pp.
Short descriptive text with video stills
re. Atlas (installation 2004).
 
2004
PM
UK national news programme, BBC Radio 4, 1 July 2004.
Arts segment.
Live location discussion from Chisenhale Gallery with Nigel Wrench and Daniel Glaser re. Andrew Stones - Atlas (2004).
 
2004
Andrew Stones Outside Inside
Artist's book/monograph
(London: Film & Video Umbrella, 2004); 148pp, full colour.
ISBN 1904270093.

Throughout.
- Introduction by Steven Bode
- Essay by Shirley MacWilliam
- Essay by Sean Cubitt
- Texts by Andrew Stones
(How and Why SomeThings Were Done)
- Photo-series by Andrew Stones

- Colour photographs and technical descriptions of works 1989 (Geiger) - 2004 (Atlas).
On-site: Atlas Commentary


PDF:
How And Why Some Things Were Done

from Andrew Stones: Outside Inside
19 pages
2004
Flux magazine
#43, July/August (Manchester, England, 2004).
Gavin Bower
Andrew Stones: 'Atlas'; 2pp.
Illustrated feature, after interview re. Atlas (2004).
On-site: Atlas Commentary page
Off-site: http://www.culturewars.org.uk/2004-02/atlas.htm
2004
Time Out magazine
July 28 - August 4 (London, 2004).
Art exhibition previews:
Martin Herbert, 'Atlas' at Chisenhale.
Preview of inaugural exhibition of Atlas (2004).
On-site: Atlas Commentary page
2004
PM
UK national news programme, BBC Radio 4, 5 April 2004.
Arts segment by Nigel Wrench re. Volume, a programme of moving image work concerned with sound.
Interview with Nigel Wrench.
Victorian Car Chase (videotape 2004) in the context of the Volume screening, London.
 
2004
Slavko Kacunko Closed Circuit Videoinstallationen
(Berlin: Logos, 2004) ISBN 3832506004.
Various places, in text;
images on included CD.
[In German] Various works by Andrew Stones and Hegarty & Stones in the context of artists' use of live video.
 
2003
The Irish Times
9 December 2003 (Dublin).
Mark Ewart, review.
Andrew Stones - Accumulator (live event with video/audio, 2003, for The National Sculpture Factory, Cork).
 
2003
The Sculptor’s Society of Ireland News Sheet
Spring (Dublin, 2003).
Cover image;
'Dobz', article; 2pp.
Article with photographs, after interview, re: Accumulator (2003).
 
2001
Factor 1991, ed. Claire Doherty
(Liverpool: FACT, 2001)
ISBN 0952122170.
Clive Gillman
'Moving Towards Acronymity'.
Discussion of works in early Video Positive programmes.
 
2001
Sheffield Telegraph
10 August 2001.
Ian Soutar, article.
Artist’s profile, after interview. Work interests in the context of a NESTA Fellowship.
 
1999
Joanna MacGregor and Andrew Stones Sound Circus
Event programme (London: Arts Council Contemporary Music Network / Serious Promotions, 1999), 24pp, b&w.
Artist's section.
Andrew Stones: notes re. digital projections for live piano by Joanna MacGregor (1999).
 
1999
Public Sightings (England: PhotoArts2000, 1999)
ISBN 0953571106.
 
Photographs: Provincially Provisionally (temporary public artwork in neon, 1998).
 
1999
Biomedical Scientist
July 1999, ISSN 1352-7673.
'From data to monument'
Feature with colour photograph.
Normal Numbers (public artwork in neon, 1998) from the perspective of a collaborating consultant haematologist.
 
1999
AN magazine,
February, ISSN 0261 3425.
Kirsty McGee, review.
Normal Numbers (1998).
 
1998
Mute magazine
#10, London, ISSN 1356-7748.
Pauline van Mourik Broekman 'Culturetribes'.
Provincially Provisionally (1998) in the context of the surrounding Lovebytes Hypertribes programme.
 
1997
Variant
vol. 2, #3, Summer (Glasgow).
Chris Byrne 'Crowd Control'.
Review article, re. Andrew Stones - Crowd Control at Street Level, Glasgow (1997).
Off-site:
Variant 2, #3 1997
Chris Byrne 'Crowd Control' text
1996
The Guardian newspaper,
14 October 1996 (London/Manchester).
Robert Clarke 'Cowed before our all-seeing ma’am'.
Article re. Andrew Stones - Crowd Control at Site Gallery Sheffield (1996).
 
1996
Andrew Stones Crowd Control
Solo exhibition catalogue (Sheffield: Site Gallery, 1996), 28pp, colour/b&w. ISBN 1899926151.

Throughout.
- Essay 'Municipal Yellow' by Rob Stone
- Notes and photographs by Andrew Stones on the Crowd Control suite of installations (1996).
 
1996
A Directory of British Film & Video Artists, ed. David Curtis. (England: Arts Council of England / University of Luton Press, 1996) ISBN 1860200036.
Artist's profile pages.
Works to date with focus on 'key works', esp. Class (installation 1990/93).
 
1996
14th World Wide Video Festival
Event catalogue. (Den Haag, Netherlands: Stichting World Wide Video Centre) ISBN 9075018142.
Artist/artwork page.
Colonial Difficulties (videotape 1995).
 
1995
Versus contemporary art magazine
#4 (Manchester / Leeds) ISSN 1352-4240.
Louise Purbrick 'You Can’t See Alienation'.
Article with photographs re. Andrew Stones - Those Days (of Summer) Are Gone (installations, 1994, for the Holden Gallery, Manchester).
 
1994
Untitled review of contemporary art,
February/March 1994 (London).
Simon Grennan, review.
Those Days (Of Summer) Are Gone (1994).
 
1994
City Life
Manchester, November 2-17, 1993.
Martin Vincent, review.
Those Days (Of Summer) Are Gone (1994).
 
1993
Variant magazine
Winter/Spring 1993.
John Jordan, review.
Andrew Stones - Flare/Cataract (installation, 1993, at SIF Studios, Sheffield).
 
1993
Arrows of Desire - The Second ICA Biennial of Film & Video Catalogue ed. with essay by Peter Wollen
(London: Institute of Contemporary Arts, 1993)
ISBN 0905263839.
Peter Wollen, selector's essay;
Artist/artwork page.
 
A History of Disaster with Marvels (videotape 1992) in the context of the Biennial programme.
 
 
1993
11th World Wide Video Festival
Event catalogue (Den Haag, Netherlands: Stichting Kijkhuis, 1993).
Artist/artwork page.
A History of Disaster with Marvels (videotape 1992).
 
1993
Video Positive 1993
Special (catalogue) issue of Variant magazine,
ISSN 0-954-8815, ISBN 09521122103.
 
Artist/artwork page.
The Conditions (installation, 1993, for Tate Liverpool).
 
1993
Berlin VideoFest 93
Event catalogue (Berlin: Medien Operative).
Artist/artwork page.
Class (installation, 1993, for Kunst-Werke).
 
1993
The Toy Box CD Rom and Video Positive Archive
(Moviola, Liverpool, 1993).
Artist/artwork section.
The Conditions (installation, 1993, for Tate Liverpool).
 
1990
Between Imagination & Reality - The ICA Biennial of Film & Video. Event catalogue (London: Institute of Contemporary Arts)
ISBN 0905263081.
Tilda Swinton, selector's essay;
Artist/artwork page.
Common Knowledge (videotape 1989) in the context of the Biennial programme.
 
1989
Video Positive 1989
Event catalogue (Liverpool: Merseyside Moviola)
ISBN 0951423002.
Artist/artwork page.
Harvest Festival (installation 1989).
 
1989
Andrew Stones Geiger
Installation publication (Sheffield: Sheffield Arts Department), 12pp, b&w. ISBN 0863211011.
 
Throughout.
- Text by Andrew Stones;
- Photo-text works related to Geiger (installation 1989) and Common Knowledge (videotape 1989).
 
1987
Video En Beeldende Kunst
Exhibition catalogue (Amsterdam: Time Based Arts).
 
Artist/artwork page.
Salmon Songs (5-tape/5-screen video work with 4-channel audio, 1987).
 
 
 
 
 
 
 
 
 
 
 

Frances Hegarty & Andrew Stones - Commentary on joint works

 

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2010
Visual
Arts Centre inaurgural book. (Ireland: The Visual Centre for Contemporary Art, Carlow, 2010)
ISBN 978-1-907537.
Sinead Dowling 'Visualise - An Introduction'.
Text and photograph.
Hegarty & Stones - Ex Machina (site-specific video/audio installation/event, 2006) in the context of a related programme of events.
 
2009
The Visual Artists’ News Sheet
Issue 3, November-December (Dublin).
Maeve Connolly' 'Writing After the Exhibition: Tactically Yours'
Article: a discussion of mediation and repetition in Tactically Yours at at the Butler Gallery, Kilkenny.

PDF:
Writing After... Tactically Yours

[copyright © Maeve Connolly and authors]

2007
Circa magazine
#121 (Dublin).
Brian Hand, review: 'Frances Hegarty & Andrew Stones: Tactically Yours'
Tactically Yours: a suite of four installations with video for the Butler Gallery, Kilkenny.
 
2006
Curating Architecture in the City, ed. Sarah Chaplin and Alexandra Stara (London, New York: Routledge, 2006).
Hugh Campbell, 'The City and the Text: Remembering Dublin in Ulysses: Remembering Ulysses in Dublin'.
Extensive discussion with photographs re. For Dublin (temporary neon public art work, 1997).
 
2006
The Visual Artists’ News Sheet
Issue 3, May-June (Dublin).
'In Public: Frances Hegarty and Andrew Stones consider their approach to working collaboratively in public space'.
Article with photographs re. joint public works 1997 (For Dublin) - 2006 (Ex Machina).
 
2006
Visualise Carlow
Programme catalogue
(Ireland: Carlow Local Authorities Arts Office, 2005-6), colour.
Frances Hegarty & Andrew Stones -
Ex Machina site-specific video/audio installation
Artists' essay with photographs.
Hegarty & Stones - Ex Machina, in the context of a related programme of events.
 
2006
Contemporary magazine
No.84 (London).
Jaqui McIntosh, review: 'Carlow: Visualise Carlow. Frances Hegarty & Andrew Stones: Ex Machina'.
Review with large production still: Ex Machina (video/adio, 2006).
 
2004
Christa Maria Lerm-Hayes Joyce in Art: Visual Art Inspired by James Joyce (Dublin: Lilliput Press) ISBN 1843510529.
Citation and colour photograph.
For Dublin (temporary neon work, 1997).
 
2004
Slavko Kacunko Closed Circuit Videoinstallationen
(Berlin: Logos, 2004) ISBN 3832506004.
Various places, in text;
images on included CD.
[In German] Works by Hegarty & Stones in the context of artists' use of live video.
 
2003
Frances Hegarty & Andrew Stones Extra (+)
Monograph.
(Sheffield: Site Gallery, 2003), 24pp, full colour.
ISBN 1899926364
Throughout.
Essay by Jeanine Griffin, with photographs.
The public artwork Extra (2003) in the context of previous joint works, 1997 (For Dublin) -2002 (Overnight Sensation).
 
2002
Circa magazine
#99, Spring (Dublin).
Slavka Sverakova, 'Belfast' review.
Overnight Sensation temporary video work for St George's Market Belfast, in the context of city-wide events.
 
2000
as it is
Exhibition catalogue (Birmingham: Ikon Gallery, 2000)
ISBN 0907594689
Artist/artwork pages.
Orienteer (A to Z, Dawn to Dusk) (video/audio, 2000) in the context of a related programme of events.
 
2000
Contemporary Visual Arts magazine
Issue 31 (London), ISSN 1028-5040.
Claire Doherty, 'Soft Cities';
Also: contents page images.
Citation, photo, re. Orienteer (A to Z, Dawn to Dusk) (video/audio, 2000).
 
1999
Public Sightings (England: PhotoArts2000) ISBN 0953571106
Artwork photographs.
Seemingly So Evidently Not Apparently Then (Installation with live and recorded video, 1998, for Sheffield Railway Station)
 
1999
Today
UK national news programme, BBC Radio 4,
c. Monday 26 October.
Arts segment: Shunted site-specific art works for Sheffield Railway Station.
Location interview with artists re. Seemingly So Evidently Not Apparently Then in the contexy of Shunted.
 
1999
The Independent newspaper
Saturday 31 October , London
Kathy Marks, 'Art is a new departure for railway station'.
Article with colour photo on site of Seemingly So Evidently Not Apparently Then
 
1999
AN magazine
December, ISSN 0261 3425
Front cover image & frontispiece;
Shunted review.
Seemingly So Evidently Not Apparently Then.
 
1998
The Yorkshire Post newspaper
Friday 5 September.
Photograph.
Production photograph: Seemingly So Evidently Not Apparently Then.
 
1997
The Irish Times
Monday 13 October (Dublin).
Nuala O'Faolain, Opinion: 'Men, the Presidency and Molly Bloom'.
For Dublin (1997; neon, public art) in the context of contemporaneous Irish society and politics.
 
1997
Frances Hegarty & Andrew Stones
For Dublin - nine manifestations in neon of James Joyce's Molly Bloom.
Event publication: The Nissan Art Project 1997.
(Dublin: The Irish Museum of Modern Art, 1997), 6pp, full colour. ISBN 1873654561.
Throughout.
- Introduction by Declan McGonagle
- Artists' text with photographs
For Dublin (temporary neon public art work, 1997).